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ALYCE FRANK
  DOUGLAS ATWILL
  NATHAN BENNETT
  JANE BLOODGOOD-ABRAMS
  MARC BOHNE
  BRALDT BRALDS
  SERGIO BUSTAMANTE
  PETER CAMPBELL
  RICHARD CAMPIGLIO
  MELISSA COOPER
  SILVIA DAVIS
  SHARRON EVANS
  NATALIE FEATHERSTON
  RARE FINDS
  ALYCE FRANK
  JOSE GONZALEZ
  MELINDA K. HALL
  RON HICKS
  DAVID JONASON
  BRIAN T. KERSHISNIK
  DAVID KESSLER
  SHANNA KUNZ
  ROBERT W. LADUKE
  MARY ANNE LEWIS
  KENT LOVELACE
  SEQUOIA MADAN
  JORGE MARIN
  DANNY MCCAW
  MARCIA MOLNAR
  P.A. NISBET
  EDWARD PENNEBAKER
  JACOB A. PFEIFFER
  GREG REICHE
  JIM RENNERT
  RON RICHMOND
  FATIMA RONQUILLO
  ALBERT SCHARF
  ELMER SCHOOLEY
  RICHARD SEGALMAN
  KEVIN SLOAN
  THEODORE WADDELL
  SUZANNE WIGGIN
  BATES WILSON
  DONALD ROLLER WILSON
  JESSE WOOD
  MICHAEL WORKMAN
  ROD ZULLO
 

View more works by Alyce Frank

Alyce Frank was born in New Iberia, Louisiana, but moved at an early age to Los Angeles and then Tulsa, Oklahoma. At age fifteen, Alyce applied to a liberal arts program at the University of Chicago. After her graduation (at age 18) she moved to Los Angeles where she attended graduate school at UCLA and USC.

In 1953 Alyce married Larry Frank, a film maker. Alyce worked with her husband producing and editing educational films. In 1962 they moved to New Mexico, where they have lived since.

The Franks became avid collectors of Indian artifacts, and it was this avocation that led Alyce to pursue a career as a painter.

Her first important lessons were with Ray Vinella, with whom she studied for four years. Later she took a landscape workshop with Bob Ellis, professor at the University of New Mexico. Alyce joined this workshop every summer for six years. In 1986 she was selected for a master class with Richard Diebenkorn at the Santa Fe Institute of Art.

Alyce Frank strongly believes in continued training. In spite of her accomplishments, she continues to attend different workshops which she enjoys tremendously as she never attended art school in a university setting.

Artistically, Alyce Frank is interested in the power of the scene, rather than the changing light. Each painting must be about something special. Her ability in selecting and rearranging the subject is what produces a painting that is distinctively Frank.

Alyce begins all her paintings on site. The natural forms so abundant in New Mexico provide a strong framework for her creative process.

Alyce Frank often uses a red ground on canvas which is a powerful, non-realistic statement. She will not paint what she sees. She is free from the restraint of the actual colors of the landscape. The scene gives her the idea of form and value, but the red ground appearing in the sky, mountains, valleys and fields acts to flatten the surface, again a contradiction of reality.

Those who see her work get a sense of the drama of the New Mexican landscape and the pleasure she finds as she goes looking for the perfect painting spot. Alyce has developed a sense of creative harmony in the finished paintings.


Selected Exhibitions
Roswell Museum, Roswell, New Mexico
Wichita Art Museum, Wichita, Kansas
Fenix Gallery, Taos, New Mexico
Amarillo Art Jubille - Invitional, Texas
Taos Arts Celebration
Taos Museum of New Mexico
Women Artist of the Southwest, Denver, Colorado
The Museum of New Mexico, Traveling Landscape Show
Publications
Southwest Art
The International Art Collector
Taos Art Celebration
Santa Fe Profiles
The World and I, March 1992
Selected Collections
Mr. Christopher Walken-Wyman, New York
Mr. & Mrs. Alexander Openheimer, Santa Fe
Ms. Reba McIntyre, Nashville
Mr. Ed Barlow, New York
Mr. & Mrs. John Marion, New York
Mr. & Mrs. Rudolpho Anaya, Albuquerque
Mr. & Mrs. Robert Linton, New York
Mr. & Mrs. Carl Freeman, Gaithersburg
Mr. & Mrs. Gerald Peters, New Mexico


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